Saturday, March 24, 2012

Good Grief: DHCT’s “You’re A Good Man, Charlie Brown” opens on Friday the 13th



By SUE SUCHYTA

            Theatre people are a superstitious lot. They say “break a leg” to wish each other good luck, they avoid mentioning the name of Shakespeare’s Scottish play and they leave a ghost light onstage in an empty theatre. They even believe a bad dress rehearsal means a good opening night.

GOOD GRIEF?

            So with the Dearborn Heights Civic Theatre opening their production of “You’re a Good Man, Charlie Brown” on Friday, April 13, the question remains: Will it invoke a round of “good grief” or bring the community theatre the success it deserves?

            DHCT will perform the show in the round April 13, 14, 20, 21 and 22 at the Berwyn Center at 26155 Richardson in Dearborn Heights. Friday and Saturday shows are at 8 p.m., with a 2 p.m. closing Sunday matinee.

            For more information see their Facebook page or go to www.dhctstage.org.

            Good attendance at the performances will help make the show a financial success, and both the cast and crew say Charles Schulz’s “Peanuts” characters are enjoyed by children and evoke happy memories for adults.

            Emily Gedert of Dearborn, who plays Lucy, said the show appeals to all generations.

FROM COMIC STRIP TO CARTOONS TO STAGE

            “It appeals to the young kids – it (has) adults running around and acting like kids, being silly,” Gedert said. “But it appeals to the older generation, too because it kind of brings back the nostalgia of the Peanuts comic strip.”

            Sara Mayne of Redford Township, who plays Sally, added that several generations have watched the Peanuts cartoons on television.

            “Everyone kind of watched it growing up,” she said. “All ages – from my parents, to us – we watched it when we were little and now even kids are watching it.”

SCHULZ'S SOAP BOX?

            Brian Welch of Dearborn, who plays Snoopy, said that Schulz used the comic strip as a way to express his philosophy to adults.

            “I think… Charles Schulz wrote his cartoons to the older generation based on political views of his life,” Welch said. “But he used kids as his cartoon characters to vocalize those views. So that’s why I think it will appeal to the adults and to the kids.”

GOING TO THE DOG...

            Welch, who has played Snoopy before, said he is working with his dog to learn some of the canine characteristics.

GIVING SNOOPY A VOICE

            “I’m doing the nuzzling with the chin and things like that,” Welch said. “I have actual lines, but we’re playing it as if (the Peanuts characters) don’t hear the lines. All they hear is the ‘row-row-row-ruff’ type stuff, but the audience hears it.”

            He said Snoopy is a great comic role.

            “‘Suppertime’ is an amazing number,” Welch said. “It’s probably my favorite part of the show… it just brings out everything. He’s such a great character role and has great lines. It’s a wonderful role… playing an animal – you try to grasp that concept and you have people laughing – I do the little ‘dog tail wag’ when he asks for supper and things like that. It’s fun!”   

            Just as Welch is bringing unique canine touches to his role, director Marc Walentowicz of Garden City said he hopes his staging the show in the round will make their performance of the show different from others he has seen.

IN THE ROUND

            “There are the challenges of trying to make it so that everyone feels included in every scene, but I mean there are also no limits,” Walentowicz said. “You can go anywhere, you can do things. I love that you can move set pieces… you can take a dog house and spin it around where you couldn’t do that on a regular stage because you wouldn’t see it once it turned around.”

GO FLY A KITE

            He said they have figured out how to do the show’s kite flying scene.

            “It’s not build yet but we figured out how to do it,” Walentowicz said. “We’ll leave that surprise for the audience.”

APPEALS TO ALL AGES

            He encourages people of all ages to see the show.

            “If anything this is truly a show that appeals to 3-year-olds to 100-year-olds,” Walentowicz said. “I mean pretty much everyone has grown up with Peanuts in their lives… it relates to everybody. I would encourage everyone to come – entire families.”

CHANNEL YOUR INNER CHARLIE BROWN?

            He said of all the characters he identifies the most with Charlie Brown.

            “Everybody kind of feels like they’re downtrodden and the weight of the world is on their shoulders like Charlie Brown does,” Walentowicz said. “And that’s by design because Charlie Brown is based on Charles Schulz himself.”

WOODSTOCK CAMEO

            Walentowicz added another unique touch by having one child in the cast – choreographer Laura Tyler’s 10-year-old daughter Sophia, a fifth grader at Tonda Elementary in Canton Township plays Woodstock, Snoopy’s feathered friend.

            “Sophia’s having a great time being Woodstock,” Tyler said. “She’s having a blast being with this group… Marc’s vision was that Woodstock was just this cameo that you only saw in this little blip (“Suppertime”).

            She said the group’s been great for her to work with as well, and that everyone helps each other learn the dances.

            “I’ve been able to push and do more than I thought I’d be able to do because they’ve just banded together so well,” Tyler said.

BEETHOVEN DAY

            She said her favorite number is “Beethoven’s Day.”

            “I love ‘Beethoven’s Day’,” Tyler said. “When it hits it really clicks. You’re like ‘Yes!’”

THE BLANKET DANCE

            “The Blanket Dance” is James Mayne’s favorite number. The Redford Township resident, who plays Linus, said that’s why people should come see the show.

            “It’s my solo song (with)… Clara (Albright) dressed up as my blanket – that’s our huge dance break in Act I,” he said.

            Albright, who plays Peppermint Patty, is a senior at Riverview Community High School.

            Mayne said he’s having a lot of fun in a theatre group that is new to him.

            “It was a little intimidating to be outside of my comfort area,” he said. “But then everybody’s really nice and welcoming and seems to get along well for the most part.”

CAST

            Others in the cast include Sean Randolph of Canton Township as Pig-Pen, Ron Williams Jr. of Redford Township as Charlie Brown, Dustin Hanson of Westland as Roy, Marissa Campitelle of Inkster as Marcie and Cory Chambliss as Schroeder.

CREW

            Brian Londrow of Inkster is the musical director, Jerry Kondracuik of Garden City is the producer and Amanda McFarland is the assistant director.

FOR MORE INFORMATION

            For more information, go to www.dhctstage.org.

Friday, March 23, 2012

Dearborn High School presents "The Music Man"

By SUE SUCHYTA

            Dearborn High School presents “The Music Man” at 7:30 p.m. March 29 to 31 with a 1 p.m. April 1 Sunday matinee.

RIVER CITY MEETS HAROLD HILL

            In Meredith Willson's classic story, set in River City, Iowa, Harold Hill, a traveling salesman and con man sells the town on the idea of starting a boys marching band in an attempt to sell them expensive instruments, music and uniforms, then flee the town with no intention of helping them actually start the band.

MARIAN THE LIBRARIAN

            The town librarian, Marian Paroo, intends to expose Hill as a con man until she sees him bring her shy young brother out of his emotional shell.

76 TROMBONES AND MORE

            The score features Broadway favorites "76 Trombones," "Til There Was You," "You Got Trouble," "Goodnight My Someone" and "The Wells Fargo Wagon.”

ONE HILL, TWO PARRO

            The cast includes senior Tim Smith as Harold Hill, and senior Camille Charara and junior Katie Polidori as Marian the librarian. Polidori will perform March 29 and 31 with Charara performing March 30 and April 1.

SHINNS

            Senior leads include Bella Fothergill as Mrs. Parro, Erik Peterson as Mayor Shinn and Kelley Thierry as Mrs. Shinn. Junior Westley Montgomery plays Marcellus Washburn.

ZANEETA, TOMMY AND CHARLIE

            Senior Juliet Higgins is Zaneeta Shinn, sophomore Charles Bell plays Tommy Djilas and junior Kyle Tillman portrays Charlie Cowell.

SCHOOL BOARD BARBERSHOP

            The school board barbershop quartet is played by sophomore Joe Read, junior Connor Blankenship and seniors Ali Abdallah and Cosmo Wong.

WINTHROP AND AMARYLLIS

            Elementary school students Ben Blessing and Emily Robinson play Winthrop Paroo and Amaryllis respectively.

ENSEMBLE

            DHS students in the ensemble include: Kristianna Ballnik, Briana Benavides, Zach Benavides, Samantha Camarena, Therese Caruana, Samia Chahine, Mary Charara, Cameron Cherry, Anthony Cieri, Austin Clark, Lindsay Culp, Justin Darragh, Jordan DiGregorio, Rachel Dong, Miranda Fothergill, Emma Garber, Ashraf Jaber, Vicky Johnson, Mike Moylan, Frankie Nunez, Conor Ordo, Andrew Oswald, James Polidori, Alexis Sanborn, Alexis Savage, Gina Soave and Elizabeth Washington.

RIVER CITY KIDS

            The River City children are played by students from Bryant Middle School and Haigh, Howard, and Lindbergh Elementary schools. They include Annalyssia Abela, Abbi Balaka, Andrew Blankenship, Lucas Blessing, Katie Garber, Sam Joachim, Angel Krawczyk, Catherine Lehmkuhl, Olivia McPherson, Rami Mullan, John Oatney, Kyle Polidori, Emma Scott, Mark Smith, Rendia Smith, Adriana Viscomi, Maria Viscomi and Keith Wyman.

DIRECTORS
            Greg Viscomi produced and directed the show, with musical direction by Carmelle Atkins and choreography by Jennifer McPherson. Jeff Oshnock will conduct the Dearborn High School orchestra and marching band.

TICKET INFORMATION

            Tickets are $11 general admission, $10 for college students with I.D., and $7 for children and senior citizens. Call 313-827-1647 for more information.

AKT Theatre Project presents "Spring Awakening"

 By SUE SUCHYTA         

            The AKT Theatre Project will present the musical “Spring Awakening” for three weekends, April 13 to 28 at the Wyandotte Art Center, 81 Chestnut St. in Wyandotte. Friday and Saturday shows are at 8 p.m., with 2 p.m. Sunday matinees.

            The rock musical takes its inspiration from a controversial literature masterpiece. Set in Germany in 1891, it is the story of Wendla and Melchior who meet by chance in the woods and discover a desire unlike anything they’ve ever know. The show contains adult themes.

            Angie Kane Ferrante is directing and choreographing the show, with musical direction by Adriane Galea.

            The cast features Jon Pigott, Jason Glenn, Hope Morawa, Peter Giessl, Shaylyn Kiely, Sarah Mikota, Jack Hundley, Lisa Youngs, Sebastian Adams, Mindy Padlo, David Pilon, Morgan Neubacher, Alice Geniac, Jordan Fritz, Gerald Hymer, Jean Pilon and Lindel Salow.

            For more information call (734) 258-8370 or go to www.AKTtheatre.com.

Players Guild of Dearborn announces Willy Wonka Jr. as Guildling summer show

By SUE SUCHYTA

            The Players Guild of Dearborn announced that the summer Guildling youth theatre production will be “Willy Wonka Jr.” Auditions will be held May 5 and 7, and the show will run July 20 to 29 for two weekends.

Good Grief: Dearborn Heights to present "You're A Good Man, Charlie Brown"

Photos by Sue Suchyta





Ron Williams (left) of Redford Township as Charlie Brown and Emily Gedert of Dearborn as Lucy rehearse a scene from the musical “You’re A Good Man, Charlie Brown.” The Dearborn Heights Civic Theatre will present the show for two weekends, April 13 to 21, at the Berwyn Center, 26155 Richardson in Dearborn Heights. For more information go to the DHCT Facebook page or go to www.dhctstage.org.





Sara Mayne (left) of Redford Township as Sally, Emily Gedert of Dearborn as Lucy and Brian Welch of Dearborn as Snoopy rehearse “The Book Report” from the musical “You’re A Good Man, Charlie Brown.” The Dearborn Heights Civic Theatre will present the show for two weekends, April 13 to 21, at the Berwyn Center, 26155 Richardson in Dearborn Heights. For more information go to the DHCT Facebook page or go to www.dhctstage.org.

Thursday, March 22, 2012

Players Guild of Dearborn prepares for Mel Brooks' "The Producers"

By SUE SUCHYTA

            Dearborn residents Dan Hartley and Brian Townsend will play Leo Bloom and Max Bialystock respectively in the Players Guild of Dearborn production of the Mel Brooks and Thomas Mehan musical comedy, “The Producers.”

HARTLEY AND TOWNSEND TEAM UP

            When Leo, a mild-mannered accountant shows Max, a down-on-his-luck producer that a quickly closing flop could potentially make more money that a hit, the two set out to find the worst script, director and cast to ensure a profitable flop.

                        Musical director Ken Pletzer of Northville said the cast includes some serious talent and that audiences will be laughing non-stop throughout the show.

            “If auditions are any sign of what the show is going to be like, it’s going to be an awesome show,” Pletzer said. “We have some very talented folks… if you’re a fan of Brian Townsend you might want to come see the show.”

            He added that Dan Hartley, who plays Leo to Townsend’s Max was hilarious at auditions.

HAAS SEES HUMOR

            Director Valerie Haas of Inkster said that the show is continuously funny.

            “It is non-stop joke after joke after joke,” Haas said. “It is a look at the biggest loser of all producers, named Max Bialystock, who keeps trying to do great theatre, a great show, and it always turns out to be a disaster. And he’s just produced another one: “Funny Boy, the musical Hamlet.”

SPRINGTIME FOR HITLER?!

            She said Max and Leo find the worst possible script, “Springtime for Hitler,” the worst director in town – an over-the-top gay guy and his equally untalented live-in entourage of set designers and costumers, and      the worst singers, dancers and actors they can find.


LEADING MAN "BREAKS A LEG"

            However, when the leading man literally breaks a leg, the director must step into the role, and it changes the entire perspective.

            “It turns Hitler into this over-the-top gay man, the reviews come out that it’s this wonderful satiric masterpiece, and it’s a hit,” Haas said.          

            She said the casting committee saw some really good auditions, and she ended up getting almost the exact number of people that she needed.

            “We needed some very specific types,” Haas said. “We needed somebody that could pull off a lot of comedy with a lot of singing and some dancing and everything so we were very fortunate to get the people that we got.”

MOULD MAGIC

            She added that choreographer Valerie Mould used her contacts to pull in some very good dancers who have worked with her before.

BOOTH AS DEBRIS

            She said one of the funniest scenes is the number “Keep it Gay,” set in the townhouse of Roger DeBris (played by Phillip Booth of Dearborn) the director.

GOJKOV AS GHIA
            “He and his common-law assistant Carmen Ghia (played by Alex Gojkov of Redford) also live with the entire production team. It’s this huge over-the-top number where Max and Leo are trying to talk Roger into directing their show, ‘Springtime for Hitler,’ and how he (Roger) is trying to say ‘no’ and then he has these brilliant ideas and things like that.”

A PLAY-WITHIN-A-PLAY

            Haas said the other funniest scene is “Springtime for Hitler’ itself, the play-within-the-play.

TAP DANCING STORM TROOPERS

            “It’s this god-awful yet brilliant depiction of Franz Leibkin’s play… a wonderful homage to his Fuhrer,” Haas said. “It’s got tap-dancing storm troopers and canons and people with cardboard U-boats and tanks and all this going on. It’s supposed to be hideous… the fact that the critics like it is beyond understanding.”

            She said the actors in the ensemble are very busy, playing anywhere from five to nine roles each.

            “They are kept on stage constantly coming and going as different characters,” Haas said.

HOT MAMAS WITH MONEY

            She said Max’s financial backers – little old ladies whom he has affairs with to fund his plays – some played by the male ensemble – come out and do an hysterical tap dance number using walkers instead of tap shoes.

AUDITION AUDACITY

            “There is so much going on,” Haas said. “The audition scene where they’re auditioning actors is a scream because they have some of the worst people ever coming out… and every one of them is awful… which is what Max and Leo want.”

            Brian Townsend, who plays Max, agreed that it is one of the funniest shows around.        

MEL BROOKS' RHYTHM AND WORDS

            “It’s written by a true master of comedy and comedic writing, Mel Brooks who just has an ear for the rhythm of comedy,” Townsend said. “Single words alone are funny when they’re in his hands.”

EQUAL OPPORTUNITY INSULTS

            He added that the show has something for everyone, and everyone gets equally skewered at the same time.

VAUDEVILLIAN

            “There’s a physical humor to everything, there’s wit to stuff – it’s very vaudevillian in its nature,” Townsend said. “So you have to be paying attention and listening all the time.”  

SID CAESAR LEGACY

            Phil Booth, who plays Roger, added that it helps if you remember that Mel Brooks was a writer for Sid Caesar.

GOJKOV GETS IT

            “Part of Roger’s magic is that he has Carmen Ghia to play off of, which is played by Alex Gojhov and you couldn’t ask for anything better than that,” Booth said. “The back and forth between Alex and I would be fun to do, even if there were no audience – it would be worth six week of rehearsal to do it because it is so fun.”

            Booth added that the comedic style is tried and true.

COMIC CHEMISTRY

            “The timing is there, the funny words are there, all the embellishments are there, and if you click into that chemistry, it works,” Booth said.

FAST AS FORUM
            Booth added that the show has the same fast pace as “A Funny Thing Happened on the way to the Forum.”

CHALLENGES

            Townsend said that it is a show that is full of challenges for the Guild.

            “It is great that we’re attempting it,” Townsend said. “We will give it our all and it will be just an evening full of laughter for whoever come see it… and we’ve got the right people in place to help pull it off.”

 END OF APRIL OPENING

            The show launches its four-weekend run April 27 at the Players Guild of Dearborn, 21730 Madison in Dearborn.

            For tickets, call (313) 561-TKTS or go to www.playersguildofdearborn.org.

"Lucky Stiff" is light-hearted musical comedy fun

Dan Hartley (left) of Dearborn plays Harry Witherspoon, Clif Levin of Detroit plays the dead body and Jackie Gubow (right) of Huntington Woods plays Annabel Glick in the Lynn Ahrens and Stephen Flaherty musical comedy “Lucky Stiff.” The show runs for one more weekend, March 23 to 25 at the Village Players in Birmingham, 34660 Woodward Avenue.  Friday and Saturday shows are at 8 p.m., with a 2 p.m. Sunday matinee. Call (248) 644-2075 for ticket information.



By SUE SUCHYTA



            “Lucky Stiff,” a funny musical comedy farce, runs for one more weekend at the Village Players of Birmingham.

            Directed and costumed by local creative force Michael Gravame, the show was created by Lynn Ahrens and Stephen Flaherty, the talented team who brought us “Ragtime,” “Seussical” and many other musical theatre treats.



CLOSING WEEKEND

            Final show times are 8 p.m. Friday and Saturday, March 23 and 24, with a 2 p.m. matinee Sunday, March 25 at the Village Players of Birmingham, 34660 Woodward Avenue. Call (248) 644-2075 to order tickets by phone.



COLORFUL COMEDY

            The show is colorful, irreverent and funny. What’s surprising is that it isn’t performed more often. From Gravame’s bright, amusing costumes to the door slamming, in-and-out confusion and silly chase scenes, it’s a fun show that has a premise improbable enough that it never takes itself too seriously – it’s meant to be fun and it is.



FROM SHOE SALESMAN TO POSSIBLE MILLIONAIRE

            A mild-mannered shoe salesman, Harry Witherspoon, who is harassed by his neighbor’s out-of-control dogs, suddenly finds himself in the middle of a massive mission that – if properly carried out – will net him a multi-million dollar inheritance and the chance to change his life.



THE “LUCKY” STIFF

            An uncle he never met has died, and if he takes the deceased carefully preserved body to Monte Carlo for the dream vacation he never had, Harry inherits the fortune.



GOING TO THE DOGS?

            If not, the money goes to a stray dog charity, which Harry refuses to let happen. However, the beautiful, determined and earnest female emissary for the Universal Dog Home of Brooklyn is following him every step of the way, hoping to grab the brass ring if Harry doesn’t fulfill the will’s wishes.



DOGGED DETERMINATION

            Dan Hartley of Dearborn is fun and entertaining in the role of Harry. If his belting voice sounded a bit hoarse by the second weekend of the run, he more than made up for it in energy and comic earnestness.



HOUNDING HARRY

            Jackie Gubow of Huntington Woods is delightful and amusing as the intrepid heroine who would rather see the money go to her homeless canines, so she hounds Harry hoping to catch him breaking the provisions of the will’s wild weekend. Having seen her perform as a talented teen, it’s satisfying to see her successfully take on adult roles with confidence and flair.



MULTIPLE PERSONALITIES

            The entire cast of characters is funny and very entertaining. All have multiple costume changes, and even Clif Levin’s “dead body” has to get up and dance during a nightmare sequence.



NIGHTMARE SEQUENCE GLOWS

            The nightmare sequence itself merits special mention.  Done under black lights, with clever glow-in-the-dark dog-head placard masks, it is very cleverly done, and reminds one of the equally entertaining dream sequence in “Fiddler on the Roof.”



UNDERDOGS CONNECT

            Hartley and Gubow make a great pair, and you find yourself rooting for the two underdogs to connect early on.



VELINSKY STEALS SCENES

            Tania Velinsky is delightful as Rita LaPorta, the colorful, criminal and visually challenged ditz who is too vain to wear her glasses, which results in an unintended murder. She created an over-the-top character who entertains every time she steps on stage.



BATTLE BRINGS IT

            Tony Battle is funny as Vinnie Di Ruzzio, the henpecked brother and husband who is dragged into the middle of this mayhem and comedy chase. 

           

COLORFUL CAST

            The cast’s colorful clothing makes their clownish personalities even more eye-catching and amusing. The eye chart tie is a nice touch with the bright blue of Vinnie’s suit.



CLIF’S CORPSE

            Clif Levin is remarkable in his ability to stay still as a stiff in a wheel chair as people move him around, rearrange his arms, and hold one-sided conversations with him.  I never saw him twitch or sneeze while in “dead mode.”



ENSEMBLE ENERGY

            The balance of the cast, which includes Gary Mach as Luigi, and the ensemble of Tom Arwady, Earl Bain, Janie Minchella and Liz Schultz rise to the challenge of playing multiple roles in many costumes in a never-ending parade of successful scenes.



CAMPY COMEDY

            The set design itself is very versatile, and continues the theme of colorful campiness.

            The feigned skydiving and scuba diving is laugh-out-loud funny and entertaining. The cast popping in and out of doors and windows will remind you of the some of the funnier moments of television’s comedy classic “Laugh In.”